“Gorgeously crafted, morally authoritative, The Last White Man concludes on a note of hope, a door jarred open just enough to let transcendence pour through, literature’s mission incarnate.” –O, the Oprah Magazine

From the New York Times bestselling author of Exit West, a story of love, loss, and rediscovery in a time of unsettling change

 
One morning, Anders wakes to find that his skin has turned dark, his reflection a stranger to him. At first he tells only Oona, an old friend, newly a lover. Soon, reports of similar occurrences surface across the land. Some see in the transformations the long-dreaded overturning of an established order, to be resisted to a bitter end. In many, like Anders’s father and Oona’s mother, a sense of profound loss wars with profound love. As the bond between Anders and Oona deepens, change takes on a different shading: a chance to see one another, face to face, anew.
 
In Hamid’s “lyrical and urgent” prose (O Magazine), The Last White Man invites us to envision a future – our future – that dares to reimagine who we think we are, and how we might yet be together.
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